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糖爹先生
Mr. Sugar Daddy depicts the story of a man looking for a fresh start. Hans falls for young Andrej and is thrown into a game that does not allow any winner.
神鬼也高潮
一个从未有过性高潮的30岁单身女性终于找到了她的理想情人,但唯一需要注意的是,他并不生活在现实世界中。
带剑的小孩
周若芬(张艾嘉)是位成功的服装设计师,时装发表会前夕六岁的儿子小威突然失踪。小威和小伙伴平时玩斗剑游戏,因此常带着一把木剑。负责调查此案的刑警郑忠(艾迪)在勘察中发现此案隐藏一个不可告人的阴谋……  本片是台湾新锐导演柯一正执导的第一部长故事片,1983年《带剑的小孩》张艾嘉主演。1983 年,新艺城台湾分公司聘请张艾嘉担任总监。张艾嘉上任后拟定“台港分家”的制片方针,采取与总公司不同的制片策略,拍摄“台湾本土性艺术片”。她起用中青年导演,摄制了题材和形式均非常别致的四部电影林清介的《台上台下》、柯一正的《带剑的小孩》、杨德昌的《海滩的一天》和虞戡平的《搭错车》。这些影片 “获得台港影评界的一致好评,使新艺城台湾分公司俨然成为培育台湾新电影的一个重要园地”
罪后真相
重刑囚犯挟持过气主播逃狱,只为追查当年情杀案真凶。看似携手合作的两人,究竟各自盘算着什么?  七年前谋杀女友入狱的新秀球星张正义(陈昊森 饰),挟持过气媒体人刘立民(张孝全 饰)逃狱,在新闻渲染下引爆全民关注。刘立民紧蹭这波流量,在自己频道宣布要重查此案,但随着调查深入发现包括张正义的姐姐、被杀害的女友、集团富二代,甚至刘立民自己的亡妻都涉入其中。此时,豁出去的张正义绑架他的女儿真真(方郁婷 饰),要求刘立民交出真相……究竟当年是谁痛下杀手?听来的答案,你相信吗?真相不过是种选择……
对风说爱你
国共内战期间,连长盛鹏(杨佑宁 饰)身负重伤,却意外遇见了孤儿小奉先(邹轩琦 饰),命运的齿轮开始转动,盛鹏、顺子和小范(胡宇威 饰)精心的照顾着小奉先,三人之间产生了真挚的感情。  带着小奉先,盛鹏一行人来到了码头,想要乘船前往台湾。在那里,他偶遇了邱香(郭碧婷 饰)和邱梅(郭采洁 饰)姐妹两,并成为了他们的恩人。来到台湾,人生地不熟的一群人日子过得十分艰苦,他们挤在肮脏狭小的棚户区,过着衣不遮体食不果腹的生活。然而,亲情友情和爱情牢牢的将他们维系在一起,彼此安慰取暖,第一次,这一群并没有血缘关系的人们体会到了家的幸福和温暖。
魔鬼的陷阱
In the time of Counter-Reformation, a miller and his son come under investigation by a priest of the Inquisition, when rumors spread that their prosperity comes from working with the Devil.  The Devil's Trap is a film directed by František Vláil, based on a novel by Alfréd Technik, adapted by František A. Dvorák and Miloš Kratochvíl. It was the first of three historical dramas that Vláil made during the Czech New Wave (technically he isn't really a part of the New Wave, however these films were made during the same era of artistic freedom), preceding his more well known Marketa Lazarová (1967) and Valley of the Bees (1968).  Set in the late 16th Century during the Catholic Reformation, in the Moravian Karst, situated in what is now the Eastern Czech Republic, it tells the tale of a miller (Vítezslav Vejrazka), and his son Jan (Vít Olmer), who come under suspicion and are investigated by a Jesuit priest of the Inquisition (Miroslav Macháchek), when rumors of witchcraft are spread by the local regent (Cestmír Randa), who is jealous of the miller's prosperity and degree of respect among the local populace.  As expected from Vláil, this film is a stunning experience all the way through. From the opening shot, an ominous manipulation of perspective with a close up of a mangled figure of Christ dominating the foreground against a tiny figure in black walking along the horizon, to the breathtaking confrontational finale inside the vast stalactite filled Karst caverns, it is a wonderful display of visual mastery.  Maybe not quite as impressive as Marketa Lazarová, but still full of astonishing imagery. As seen from unique angles and distinct points of view which highlight the director's remarkable sense of awareness of framing, motion, and positioning on the emotional and dramatic tone of the scene. The most memorable being a repeated shot where the camera is suspended and launched with speed through the air towards the miller's door.  The story here is a simple one and I would say more accessible than his later works. With a conventional structure emphasized as much by its plot and characters, than by its expressionistic cinematography or authentic historical detail. The events play out without much surprise, and there is a strong underlying, almost supernatural, mysterious aspect that is left unresolved, in fact barely explored, which is slightly disappointing, but only because it's so fascinating that I wish there was more.  Acting is great all around. Particularly the villains Miroslav Macháchek as the priest, casting a sinister and imposing shadow wherever he goes, and Cestmír Randa as the weasel like regent behind all the persecution. While Vít Olmer brings a charismatic leading man presence in his role as the miller's son Jan, in love with the lovely orphan girl Martina (Karla Chadimová), who becomes a dangerous object of rivalry between Jan and other young men of the village.  The film also features the evocative music of Zdenk Liška (perhaps the most prolific composer of the Czech New Wave). In this his second of eleven collaborations with Vláil, his compositions are used sparingly, but to great effect, complimenting but never overpowering a scene. The best example of which can be heard in an amazingly shot celebration and dance sequence at the end of the second act.  The Devil's Trap might not be a masterpiece, but it is still a strong effort, with a fascinating straightforward story and a glorious historical setting captured beautifully by Vláil's unmistakable visual prowess. A fine work that would also be the perfect starter plate to prepare yourself for the challenging feast of Marketa Lazarová or The Valley of the Bees. It even has an easy to digest running time. It's therefore puzzling why this gem remains largely overlooked and ignored.
两个伊莲娜
13岁的伊莲娜来自一个传统的家eee。有一天她发现父亲居然有另一个家庭,还有一个和自己同龄的女儿,她的名字也叫伊莲娜。两个女孩成了好朋友,伊莲娜反复探讨父亲在秘密跟谎言的游戏中过着的双面人生。
军中禁恋
以绝对遵循教条、荣誉和服从为原则的某法国驻东非殖民地志愿兵团,迎来一批新兵,其中最突出的当属有着英俊相貌和威猛身材的桑泰恩(格利哥力•格林),他同时吸引司令官布鲁诺(米修•苏宝尔)和中尉布格罗普(丹尼斯•拉凡)投来灼热渴慕的目光。  在接触中,桑泰恩与布鲁诺渐渐表现出暧昧的同性爱意,这引起布格罗普的不快,继而生出混杂了多种情感的嫉妒,最终,他设下圈套,迫使桑泰恩离开兵团,但他自己也因此结束了志愿军生涯。
狗眼看人心
本片改编自真实故事,讲述了余峰家的小狗妮蔻,为了救主人被隔壁藏獒咬成重伤,有权有势的藏獒主人却对余峰一家百般刁难。面对种种不公,余峰不再忍气吞声,发誓要为小狗讨回公道,但柴女士等人的出现,却让矛盾进一步激化……狗生不易,小狗愿意用生命守护我们,我们又能为它做什么呢?
心愿房间
马特(凯文·詹森斯 Kevin Janssens 饰)和凯特(欧嘉·柯瑞兰寇 Olga Kurylenko 饰)是一对非常恩爱的夫妻,两人美满的婚姻里唯一的遗憾就是没能够拥有他们爱情的结晶,凯特曾经两度怀孕,都不幸流产了。为了缓解意外带来的阴翳,夫妻两人前往一座位于纽约郊区的古宅中度假,让两人没有想到的是,他们在房子里找到了一间被隐藏的密室。  这是一个拥有神奇魔法的房间,只要你身在房间之中,无论许什么物质方面的愿望 ,都能够实现。利用这个房间,夫妻两人瞬间拥有了很多他们想买但舍不得买的东西,然而,起初了兴奋感平静之后,凯特内心的贪欲开始蠢蠢欲动,她真正想要的“东西”只有一个。
神探狗笨吉
“笨吉”原本是一只吃百家饭的流浪狗。它最喜欢一对兄妹,因为他俩经常瞒着妈妈悄悄陪它玩耍,喂它美食。某天,这对兄妹被坏人绑架。在妈妈和警方都惶恐不安而又无所适从之时,聪明勇敢的“神探狗”笨吉克服险阻,用自己的方式救出了这对兄妹,也找到了梦寐以求的家。笨吉的故事提醒我们,身边的宠物或许就是拯救人类的英雄。
伯纳德行动
20世纪30年代,二次大战如火如荼。而萨利(Karl Markovics卡尔•马克维斯 饰)凭借一手高超的伪造技巧春风得意,佳肴美女信手拈来,好不自在。但是他的好日子并为持续多久,很快他便因为遭罪被逮捕,随后投入毛特豪森集中营。  时德国纳粹图谋制造大量假币,以扰乱同盟国的经济。萨利的才能得到发掘,他成了这个秘密伪钞制造小组的头目,但良心却促使他选择了另一条路……  本片根据阿道夫•博格(Adolf Burger)原著《魔鬼工厂》(The Devils Workshop),书中所述为作者亲身经历,影片荣获2008年奥斯卡最佳外语片奖和2007年德国电影金像奖最佳男配角奖(Devid Striesow)。
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